Women Who Run with the Wolves - online
- Henry Moore Institute
- Wednesday, 18 November 2020
We are delighted to introduce a new online format for our rescheduled research events. You can now attend our series of lectures, symposia and discussions online. We invite you to watch recorded talks, submit your questions and then attend our live discussion.
“Dr Estes defined wildness as not uncontrolled behavior but a kind of savage creativity, the instinctual ability to know what tool to use and when to use it.”
This event brings together a diverse range of speakers to discuss the Henry Moore Institute's current exhibition, Paloma Varga Weisz: Bumped Body, in dialogue with Clarissa Pinkola Estés' renowned cult classic and revisionary feminist study, Women Who Run with the Wolves: Contacting the Power of the Wild Woman (1992).
Central to the research questions of the event is the place of feminism in contemporary art, as explored through the creative interpretation of its many methodologies.
Pre-recorded talks will cover psychoanalysis, metamorphosis, embodied storytelling, fairy tales and gender. Speakers are artists, choreographers, curators and literary scholars working both internationally and locally, offering a range of viewpoints and new interdisciplinary approaches to the interpretation of narrative sculpture.
We would like to thank Dr Catriona McAra of Leeds Arts University for convening the speakers and leading the event.
Introduction: The Fur of the Fairy Tale: Dorothea Tanning and Samantha Sweeting
Dr Catriona McAra (Curator, Leeds Arts University)
Clothed (in) Animals: Contemporary Women Artists Reimagining Fairy-Tale Creatures
Dr Mayako Murai (Writer, Kanagawa University)
Beneath the Surface, A Vibration Through the Bones
Rachel Goodyear (Artist, Manchester)
The Shapeshifting Woman and Other Tales of Becoming
Hannah Buckley (Choreographer, Leeds)
Wednesday 18 November, 6pm
A live discussion with speakers Dr Catriona McAra, Rachel Goodyear and Hannah Buckley. They will be answering any questions you might have once you've watched their individual talks. You can submit your questions live during the event or in advance. This session will take place on Zoom.
Due to timezone differences, Dr Murai will not be attending the live discussion event on Wednesday 18 November. If you have a question specifically for Dr Murai, please send it to us in advance by email or Twitter and we will do our best to include her responses at the event.
Questions for our speakers can be submitted in three ways: you can email a question in advance to email@example.com, reach us on Twitter using the hashtag #HMIwolves, or ask questions during the event by using the Chat function on Zoom.
About the speakers
Dr Catriona McAra is University Curator at Leeds Arts University. She has published extensively on the art and literature of Dorothea Tanning and Leonora Carrington with a particular interest in feminist aesthetics and surrealist legacies in contemporary practice.
Dr Mayako Murai looks at fairy-tale animals in works by contemporary women artists from different cultures, and how these works pose a challenge to our perceptions of animals and human-animal relations. She contends that the fairy tale – a genre of narrative that has long told stories about animals as main characters, about human-animal interactions, and about interspecific transformations – can offer a useful framework to re-examine our perceptions of animals and to renegotiate our relationships with them.
In this talk, she reflects on the materiality of animal skins used in installation works, especially those by contemporary Japanese artist Tomoko Konoike, and consider how these works cast a new light on the themes of desire, difference, and empathy raised in traditional fairy tales about women clothed in animal skins. She examines the motif of clothes made of animal skins that are worn by heroines desperate to escape from their fathers’ incestuous advances; “Thousandfurs”, “The Donkeyskin” and “Catskin” are among the best-known examples of this tale type in Europe. She also discusses how contemporary artworks using animal skins evoke this motif in such a way that the materiality of animal skins 'speaks' to us on its own terms, inviting us to revisit familiar stories from a more creaturely perspective and to imagine a new form of society founded on differences.
Dr Mayako Murai is a professor at Kanagawa University, Japan. She is the author of From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West (Wayne State University Press, 2015) and co-editor of Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures (Wayne State University Press, 2020). She curated the exhibition Tomoko Konoike: Fur Story at the Blenheim Walk Gallery, Leeds Arts University in 2018. She is currently writing a book tentatively titled Re-Storying the World for Multispecies Survival: Fairy-Tale Animals in Contemporary Art and Picturebook Illustrations.
Within her presentation, ‘Beneath the Surface, a vibration through the bones’ Rachel Goodyear explores a dialogue between Women who Run with the Wolves and the relevance and influence this has within her own art practice. She draws particular reference to the moment when La Loba begins to sing and imagines a vibration, an awakening, a significant moment before flesh and fur begin to grow. The ‘Wild Woman’ in Goodyear’s current work is poised at that very moment – a point of contemplation, a state before emergence. Goodyear has a particular interest in the ‘veil’ between the conscious and the subconscious and within this presentation she will discuss metaphors for longing and the human psyche found within folklore and mythology and their connections with her own visual language.
Rachel Goodyear lives and works in Manchester. Select solo exhibitions include Catching Sight, The New Art Gallery Walsall; Restless Guests, The Drawing Center, New York; Approaching the Surface, Pippy Houldsworth Gallery, London; and Modifications of the Host, Yorkshire Sculpture Park. Select group exhibitions include The Freud Museum, London; Museum für Moderne Kunst, Weserburg; Folkwang Museum, Essen; Nassauischer Kunstverein, Wiesbaden; Innsbruck Biennial, Austria; The Curitiba Biennial, Brazil; and Liverpool Biennial, Tate Liverpool. Works held in international collections include Victoria & Albert Museum, London; Olbricht Collection, Essen; Walker Art Gallery, Liverpool; The New Art Gallery Walsall; Whitworth Art Gallery, Manchester; and Robert Devereux Collection. She is represented by Pippy Houldsworth Gallery, London.
Hannah Buckley is a dancer and choreographer whose practice is research driven, often with long processes. She is interested in, gender, intergenerational exchange, and personal relationships as material for art, nature and fairytales. Buckley's work has been supported by organisations such as Arts Council England, Yorkshire Dance, Dance4, The Place. In 2019 she was awarded the Leeds Dance Partnership Fellowship at The Northern School of Contemporary Dance. She has worked nationally and internationally as part of festivals such as Manchester International Festival, the Venice Biennale and Transform Festival, Leeds International Festival and Gender Bender.
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