Paul Neagu: Palpable Sculpture shows a selection of work spanning 1968 to 1986, closing when 
he created 'Nine Catalytic Stations', a sculpture summarising his complex philosophical ideas. Our selection encompasses tactile boxes and edible sculptures, performances and fictional collaborators, objects and drawings. In his performances Neagu sought to defy gravity, while his works on paper are simultaneously preparatory works, documentation, assimilation and artworks. In his sculptures Neagu created systems of thought based on his understanding of the human body as a simple container, with his exhibitions conceived as dialogues 
and experiments.

Neagu graduated from Nicolae Grigorescu Institute of Fine Arts, Bucharest in 1965, where the syllabus prioritised figurative painting over abstraction and sculpture. Soon after completing his studies he turned his attention to sculpture, making tactile objects - boxes he described as being 'strange mixed media objects'. Portable and scaled to the body, these were designed to be opened, pushed and pulled - each one demanding an active encounter.

In 1969 Neagu travelled to the UK for
 the very first time, under the wing of the Edinburgh gallerist Richard Demarco. This same year he penned his 'Palpable Art Manifesto', announcing that 'The eye is fatigued, perverted, shallow, 
its culture is degenerate, degraded and obsolete, seduced by photography, film, television [...]' and advised that 'Palpable art is a new joy for the "blind", while for the "clear-sighted" it is the most thoroughly three-dimensional study.'

In spring 1970 Neagu left Romania, travelling to Paris and Edinburgh and then London, which he made his home for the next thirty-four years, exhibiting widely and teaching at art schools. In 1979 he exhibited in the very first British Art Show, which opened in Sheffield. In London Neagu's work was first seen at Sigi Krauss Gallery where in 1971 he presented 'Cake-man', an edible sculpture-event.

This was followed by solo exhibitions at 
the Serpentine Gallery (1973), Modern 
Art Oxford (1975) and the Institute of Contemporary Arts (1979), with each exhibition carefully constructed by Neagu himself. Neagu created a unique artistic vocabulary. Like our concurrent Gallery 4 exhibition Object Lessons, his was a call to perceive with the hand, nose, mouth and ears as much as the eyes. Paul Neagu: Palpable Sculpture proposes, as the manifesto advises, a phenomenological understanding of both sculpture and the surrounding world.

We would like to thank the Estate of Paul Neagu for their support of this project. Our Research Library holds comprehensive resources on Paul Neagu.

The exhibition is supported by the Romanian Cultural Institute.