Vlassis Caniaris: 'Composition' (1974)

30 May – 2 September 2012

Gallery 4

Presenting a single sculptural work by Greek artist Vlassis Caniaris, 'Composition' from 1974, seen outside of Greece for the very first time.

A pair of yellow legs stands on a white stool, both feet wearing buckled grey shoes. The legs are a pair of tights that have been shaped using an armature of wire netting to stand tall, albeit rather misshapen. A white rag wraps the right thigh and red plastic carnations fill out the waist. The part-figure throws a shadow behind itself that masquerades as a traditional sculptural form - perhaps a classical Greek sculpture with its arms and head lost over time, or the fragmented body of Auguste Rodin's headless and armless 'Striding Man'.

Here in the Institute's 2012-2013 exhibition programme Vlassis Caniaris' standing figure enters into a dialogue with sculptures in Galleries 1, 2 and 3 by Michael Dean and Sarah Lucas, with the latter exhibition featuring a number of sculptures where the artist uses, like Caniaris, tights.

About the artist

Caniaris (1928-2011) left his native Greece in 1956 for Rome, subsequently spending time in Paris and Berlin, and returning to Athens in 1976. This was a period of economic turbulence, leading to large-scale migration of workers from the south to the north of Europe.  Using materials ready at hand Caniaris' sought to observe the surrounding world, rather than represent it, deploying the spirit of the Arte Povera artists working simultaneously in Italy. From the mid 1960s he began to create resourceful compositions from objects and materials bearing the traces of use, such as wire netting, plaster, clothes, battered toys, rags, artificial flowers, pallets, cardboard boxes, newspaper clippings and suitcases.

This display gives visitors the opportunity to view a rarely seen work by a somewhat overlooked artist. 'Composition' is on loan from the Museum of Cycladic Art in Athens. Caniaris' work can be found in a number of public art collections across Europe and has featured in exhibitions such as Athens Biennale (2012); Team Gallery, New York (2011); The Breeder, Athens (2009); State Museum of Contemporary Art, Thessaloniki, Greece, retrospective (2000); Staatliche Kunsthaus, Berlin (1992); Venice Biennale (1964 & 1988); Institute of Contemporary Arts, London (1976); Moderna Museet, Stockholm (1971); Documenta 6, Kassel (1977); and Biennale di Sao Paolo (1965).

Venue details


Venue address

Henry Moore Institute
74 The Headrow
Leeds
LS1 3AH
United Kingdom
T: 0113 246 7467

Opening times

Open 7 days a week, except Bank Holidays, from 11am to 5.30pm and until 8pm on Wednesdays.
Galleries are closed on Mondays.

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