Thomas Schütte: Fake/Function

22 Sep 2007 – 6 Jan 2008

Galleries 1, 2 and 3

Even before he left the Art Academy in Düsseldorf, Thomas Schütte’s work was much in demand. This exhibition brings together the work he made in those early years of his career.

Thomas Schütte: Fake/Function demonstrates how his work set out to solve problems - often defined by the terms of the site and the commission - and how its use of illusion allowed it to hover on the threshold between the decorative and the applied, the fake and the functional.

In contrast with his later work, Schütte’s early work was light-weight and variable in dimension. Using the techniques of both traditional stage design and of contemporary conceptual art, he deployed multiple components - wallpapers, bricks, tiles and rings - across the wall’s surface. The resulting works have great charm, using minimal means to effect change. Alongside these illusory facades, the exhibition shows how Schütte used other classic decorative techniques - such as pairing, grouping and arranging - to question the nature of art and illusion.

In the late 1970s Schütte installed a number of these works in the Düsseldorf apartments of his friends and teachers including that of his tutor - the painter Gerhard Richter - and that of his fellow student, photographer Thomas Struth. These individual projects - comprising different kinds of wall-based works - were both art-works and interior schemes.

In 1980 the artist had his first chance to take stock of what he had been making and, in the gracious first-floor apartments of the Munich gallery of Rüdiger Schöttle, the work was brought together in what was revealed as a single project. The Henry Moore Institute shows this ‘decorative’ project, last seen over 25 years ago, along with other contemporary pieces which help to demonstrate how it was developed. Many of these works have never been exhibited before. The exhibition not only showcases Schütte’s illusionistic interior schemes, it also reveals the underlying formalist interest in the use of staging and of transformative effects to take painting into the realm of sculpture.

Thomas Schütte (b.1954) has recently opened exhibitions of new work at the Frith Street Gallery (London) and Galerie Nelson-Freeman (Paris). He is part of this year’s Skulptur Projekte Münster, and his project for the Fourth Plinth in Trafalgar Square is currently under construction and will be unvieled on 7 November 2007.

Venue details


22 September 2007 - 6 January 2008

Venue address

Henry Moore Institute
74 The Headrow
Leeds
LS1 3AH
United Kingdom
T: 0113 246 7467

Opening times

Open 7 days a week, except Bank Holidays, from 11am to 5.30pm and until 8pm on Wednesdays.
Galleries are closed on Mondays.

1 February 2008 - 20 April 2008

Venue address

Kunstmuseum Liechtenstein
Städtle 32
Vaduz
9490
Liechtenstein
T: +423 235 03 00
Visit website

Opening times

Monday: Closed
Tuesday to Sunday: 10am - 5pm
Thursday: 10am - 8pm

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