New Acquisitions on Paper: Phyllidia Barlow, Sarah Staton and Cecile Johnson Soliz

14 Sep 2005 – 7 Jan 2006

Exhibition in the Upper Sculpture Study Gallery, Leeds Art Gallery

Showcasing recent acquisitions of works on paper by three contemporary British sculptors. Though different in style and execution, they are bound by a common theme that places the sculptural subject in a space with an almost imaginary context.

Phyllida Barlow's strikingly bold paintings echo the surfaces of her better known sculptures, but in a sense go further. They set up arresting situations which speak of the industrial hinterland of London, of the sculpture found among its yards and estates, lit as if by the moon or by a relentless midday sun. Picking out the made from the found among the crates and pallets of the vacant lot is tempting but impossible.

Sarah Staton's careful watercolours also confuse the 'sculptures' with their settings. Conceived as sketches for the installation of a potential exhibition, these twelve scenarios place prisms and glassware in wooden settings which hover between delicately veneered and roughly assembled timber casings. The plinth is thus designed with and for the object; the whole reminiscent at once of domestic, retail and museological interiors.

Cecile Johnson Soliz's six watercolours place domestic ware - jugs, teacups, saucers and teapots - across the space of the page. Three tan, three black, their colours are reminiscent of the materials of Wedgwood. Johnson Soliz focuses on their profiles, their inter-relationships, their occupation of external space, and the shapes and spaces occupied by their interiors. These studies relate directly to her extensive sculptural production of ensembles of domestic ware in clay.

Phyllida Barlow has recently shown at the Baltic and Bloomberg Space, and is the subject of a new monograph published by Black Dog Publishing. Sarah Staton has recently shown at the Graves Gallery and last year, with Jane Simpson, curated 'Daddy Pop' at Anne Faggionato. Both are currently Fellows at the Henry Moore Institute. Cecile Johnson Soliz has recently shown at the Castello di Rivara, and is engaged in Cardiff on a project relating to the casting of bells to be shown in Ireland in August.

Venue details


Venue address

Henry Moore Institute
The Headrow
Leeds
LS1 3AH
United Kingdom
T: 0113 246 7467

Opening times

Open 7 days a week, except Bank Holidays, from 11am to 5.30pm and until 8pm on Wednesdays.
Galleries are closed on Mondays.

The Institute will be closed over Christmas on Monday 24, Tuesday 25 and Wednesday 26 December, and on Monday 31 December and Tuesday 1 January for the New Year.

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