Posters & prints
We are currently unable to ship to EU countries.
Posters & prints
Posters
Moore: Master Drawings, Hazlitt Holland-Hibbert, London & New York, 2004
A2 reproduction poster
Posters
£22.50
Mounted prints
CloseSign-up
Sign-up
for emails
Log in to My Account
Create a password
CloseMy account
My account
log in and registration
Log in to view and edit your purchase history, any on-going grant applictions or update your details and subscription preferences
Log in
- My Account
- About the Foundation
- About Henry Moore
- What's on
- Visit
- Back to Visit
- Visit
- Henry Moore Studios & Gardens
- Henry Moore Institute
- Back to Henry Moore Institute
- Henry Moore Institute
- Visiting the Henry Moore Institute
- Staying safe during your visit
- Opening times
- Address, map and directions to the Institute
- Accessibility
- About the Institute
- Select exhibition history
- Back to Select exhibition history
- Select exhibition history
- Portable Sculpture
- Rafael Pérez Evans: Handful
- Paloma Varga Weisz: Bumped Body
- Edward Allington: Things Unsaid
- Yorkshire Sculpture International 2019
- Yorkshire Sculpture International: Tamar Harpaz
- Yorkshire Sculpture International: Rashid Johnson
- Yorkshire Sculpture International: Maria Loboda
- Yorkshire Sculpture International: Cauleen Smith
- Yorkshire Sculpture International: Sean Lynch
- Phyllida Barlow: Sculpture and Drawings from the Leeds Collection
- Renee So: Bellarmines and Bootlegs
- Lucia Nogueira
- Senga Nengudi
- A Frieze for Leeds: Imagining a Sculptural Façade for Leeds Art Gallery in 1968
- The Sculpture Collections
- Neil Gall: The Studio: Cover Versions
- Sculpture by Another Name: Tony Carter's 'By Bread Only' (1978-9)
- Becoming Henry Moore
- David Dye: Devices
- Mary Gillick: Her Art in your Pocket
- Jiro Takamatsu: The Temperature of Sculpture
- Ghisha Koenig: Machines Restrict their Movement
- Aleksandra Domanović: Votives
- Roy Ascott: Form has Behaviour
- City Sculpture Projects 1972
- Eleanor Antin: 'CARVING: A Traditional Sculpture'
- The Body Extended: Sculpture and Prosthetics
- William Hamo Thornycroft: 'Charity and Justice' (1888)
- A Lesson in Sculpture with John Latham
- Olga Jevrić: Proposals for Monuments
- Katrina Palmer: The Necropolitan Line
- Christine Kozlov: Information
- Object Lessons
- Paul Neagu: Palpable Sculpture
- Eileen Agar: Natural Ready-mades
- Carol Bove / Carlo Scarpa
- Garth Evans: Sculpture Photographs
- A Study of Modern Japanese Sculpture
- Dorothy Annan and Trevor Tennant
- The Event Sculpture
- Lygia Clark: Organic Planes
- Gego. Line as Object
- D'Arcy Thompson's On Growth and Form
- Photographing Sculpture: How the Image Moves the Object
- Ian Kiaer: Tooth House
- Vladimir and Georgii Stenberg: Construction for a Spatial Structure VI ('KPS6', 1919/73)
- Stephen Cripps: Pyrotechnic Sculptor
- Dennis Oppenheim: Thought Collision Factories
- Jean Tinguely: 'Spiral' (1965)
- The Age of Innocence: Replicating the Ideal Portrait in the New Sculpture Movement
- Indifferent Matter: From Object to Sculpture
- Alberto Giacometti: 'Tête de femme (Flora Mayo)' (c. 1927)
- Keir Smith: From Wall to Floor
- Robert Filliou: The Institute of Endless Possibilities
- Vladimir Markov: Displays and Fictions
- 1913: The Shape of Time
- Sturtevant: 'Duchamp Bicycle Wheel' (1969-1973)
- Helen Chadwick: 'Wreaths to Pleasure'
- Sarah Lucas: Ordinary Things
- Vlassis Caniaris: 'Composition' (1974)
- Michael Dean: Government
- Phyllida Barlow: Bad Copies
- John McCracken: 'IV' (1985) and 'Neon' (1989)
- Nice Style: The World's First Pose Band
- Shelagh Cluett: Drawing in Space
- United Enemies
- Tacita Dean: 'Mario Merz'
- Mario Merz: What Is to Be Done?
- Darrell Viner: Early Work
- Jean-Marc Bustamante: Dead Calm
- Savage Messiah: The Creation of Henri Gaudier-Brzeska
- Dear Henry Moore: Connections and Correspondence
- Henry Moore: Prints and Portfolios
- Angkor Wat: From Temple to Text
- A Rough Equivalent: Sculpture and Pottery in the Post-War Period
- Undone: Making and Unmaking in Contemporary Sculpture
- Roman To English: The Migration of Forms in Early Northumberland
- Out of My Mouth: The 'Photosculptures' of Alina Szapocznikow
- Hermann Obrist: Art Nouveau Sculptor
- Ice Age Sculpture
- Alan Johnston: Drawing a Shadow: No Object
- Objects of Contemplation: Natural sculptures from the Qing dynasty
- The Developing Process: The sculptor's education in drawings and photography
- Sculpture in Painting
- Subject / Sitter / Maker: Portraits from an eighteenth-century artistic circle
- Art in Public Places
- The New Monumentality
- Concrete and Poetry: Drawings for an art museum by Lina Bo Bardi
- Box, Body, Burial: The sculptural imagination of Keith Arnatt
- Asta Gröting Sculpture: 1987-2008
- Dalou in England: Portraits of Womanhood (1871-1879)
- Sculpture in the Home
- Taking Shape: Finding sculpture in the decorative arts
- Unfinished Business: Mark Wilsher
- The Object Quality of the Problem: on the Space of Palestine/Israel
- Prospects and Interiors: Sculptors' Drawings of Inner Space
- Heart of Darkness: Ivory carving and Belgian colonialism
- Against Nature: The hybrid forms of modern sculpture
- By Leafy Ways: Early works by Ivor Abrahams
- Indoors and Out: The Sculpture and Design of Bernard Schottlander
- Thomas Schütte: Fake/Function
- kissingcousins: A fellowship project by Jane Simpson and Sarah Staton
- Towards a New Laocoon
- Drawing on Sculpture: Graphic Interventions on the Photographic Surface
- Modelling Charlotte Perriand: A Project by Sadie Murdoch
- Figuring Space: Sculpture/Furniture from Mies to Moore
- Experimental Photography from the Bauhaus Sculpture Workshop
- Leeds (Partial View)
- Imi Knoebel: Primary Structures 1966/2006
- Charlotte von Poehl: The Notepiece
- The New Man: Alfred Gilbert's Heroic Nudes 1882-1895
- Paper, Stone, Flesh and Blood: Transforming Views of Sculpture in French Revolutionary Prints
- Antinous: the face of the Antique
- Giorgio Sadotti: From Navels to Nipples Henry Moore
- Freud's Sculpture
- Shaping Modern Sculpture: Stephen Gilbert and Jocelyn Chewett in post-war Paris
- Espaço Aberto / Espaço Fechado: Sites for sculpture in modern Brazil
- Thomas Woolner: Seeing Sculpture Through Photography
- New Acquisitions on Paper: Phyllidia Barlow, Sarah Staton and Cecile Johnson Soliz
- Bronze: The Power of Life and Death
- Jaki Irvine: Plans for Forgotten Works
- Shallow Space - Relief Sculpture from the Collection
- Ettore Spalletti
- Medieval and Modern: Direct Carving in the Work of Gill and Barlach
- The Third Campaign: A Project by Neal White
- Play/Ground
- Depth of Field: the place of relief in the time of Donatello
- Mother Figure: Modernist Maternities from the Leeds Sculpture Collections
- Carey Young: Disclaimer
- With Hidden Noise: Sculpture, Video and Ventriloquism
- My Personal Museum: 'Ego Geometria Sum' from the Helen Chadwick Archive
- Other Criteria: Sculpture in 20th Century Britain
- Refashioning the Figure: The Sketchbooks of Archipenko
- Liadin Cooke: Ballroom (ornament)
- Scultura Lingua Morta: Sculpture From Fascist Italy
- A Kind of Magic: Talismans, Charms and Amulets from The British Museum
- Job Koelewijn: Try and See It Your Way
- Simon Periton: Flag
- Model Forms: Sculpture/Architecture in 50s and 60s Britain
- Wonder: Painted Sculpture from Medieval England
- Changing Face: masks from The British Museum
- Catching Some Air: Library Drawings by Bik Van der Pol
- The Object Sculpture
- Christina Mackie: The Interzone
- Shine: sculpture and surface in the 1920s and 30s
- Second Skin: Historical Life Casting and Contemporary Culture
- Unidentified Museum Objects: curiosities from The British Museum
- The Sculpted Word: inscriptions from the Britsh Museum
- Taking Positions: Figurative Sculpture and the Third Reich
- Siobhan Liddell: Curious About Existence
- Wiebke Siem: Collection
- Homes for the Soul: Micro-architecture in medieval and contemporary art
- Return to Life: a new look at the portrait bust
- Dom Hans van der Laan
- Katarzyna Kobro
- artranspennine98
- Robert Morris: Recent Felt Pieces and Drawings
- The Colour of Sculpture
- David Nash: Line of Cut
- Gravity's Angel
- Gabo's Stones: Naum Gabo
- Reproduction in Sculpture - Dilution or Increase?
- Serge Spitzer: Index - 1972-92
- Cell : Cella : Celda
- Sol LeWitt: Structures 1962-93 and Drawings 1958-92
- Romanesque: Stone Sculpture from Medieval England
- Research library and archives
- Yorkshire Sculpture International
- Online events FAQs
- Collections
- Back to Collections
- Collections
- Search Henry Moore artworks
- Our collection
- Henry Moore works in public
- Catalogue raisonné
- Back to Catalogue raisonné
- Catalogue raisonné
- Stage 1: Research enquiries
- Stage 2: Review Panel
- Submit an enquiry
- Research and Review Panel FAQs
- Henry Moore online catalogue raisonné: 1914-1929
- Henry Moore online catalogue raisonné: 1930-1939
- Henry Moore online catalogue raisonné: 1940-1949
- Henry Moore online catalogue raisonné: 1950-1959
- Turning the pages
- Leeds sculpture collection
- Learning
- Archives and Library
- Back to Archives and Library
- Archives and Library
- Henry Moore Archive
- Back to Henry Moore Archive
- Henry Moore Archive
- Stories from the Archive
- Back to Stories from the Archive
- Stories from the Archive
- Archive 30 2021: Favourite Items
- Christmas Fun, 1932
- Suits you, Sir!
- Archive Textiles
- Erasmus Prize 1968
- Walter Buckley Pearson
- Harlow Family Group questionnaire: can you help us?
- Mrs Tinsley: Administrative Professionals Day 2019
- Henry Moore and Nuclear Energy
- Henry Moore and Stephen Spender
- Henry Moore in Florence
- Henry Moore and Apple Trees
- Yorkshire Day: Castleford Through the Ages
- Henry Moore and Elmwood
- Henry Moore and the First World War
- Henry Moore and Foundries
- Henry Moore and Old Flo
- Henry Moore and Harlow New Town
- Henry Moore's birthday and the Archive
- Henry Moore and the Festival of Britain
- Fragment Figure
- A'a from Rurutu
- Christmas Gifts
- Tour de France
- Publications
- Letters and Documents
- Photographic material
- Film and audio
- Exhibitions
- Henry Moore Archive - Reading Room
- Henry Moore Images
- Sculpture Research Library
- Back to Sculpture Research Library
- Sculpture Research Library
- About the library
- Special collections
- Back to Special collections
- Special collections
- Venice 1949: Peggy Guggenheim's Sculpture Garden
- The British Pavilion, XXVI Biennale, Venice, 1952
- Keir Smith: Ceres
- Glen Onwin: Flammable Solid/Flammable Liquid, 1994
- Ebb & Flow
- Bewogen Beweging
- When attitudes become form and Op Losse Schroeven
- The Art Journal
- Ambit
- John Dart: Westmonasterium
- Audio-visual library
- Artists' Lives project
- Biographical dictionary of sculptors
- Online resources
- Library displays
- Back to Library displays
- Library displays
- The Expanded Page: Sculptural Books from the Research Library Collection
- Henry Moore at Leeds School of Art: student notebooks from the Archive
- David Nash in Poland: Documents from the Archive of Sculptors' Papers
- Ideal Standard Forms: The Influence of Classicism on Modern and Contemporary Sculptors' Drawings
- Yorkshire Sculpture International: Sean Lynch
- First: A Magazine by Sculpture Students, 1960-1961
- Neil Gall: The Studio: Cover Versions
- Richard Cockle Lucas: The 'Book Monument' and the Art of Self-Memory
- Sculpture in the Time of Cholera: William Calder Marshall in Rome 1836-8
- Li Yuan-chia and the books of the LYC Museum and Art Gallery
- Off the Shelf: Artists' Books in the Henry Moore Institute Research Library
- Modelling Manuals: 1890-1940
- John Bunting
- Visiting and opening times
- Archive of Sculptors' Papers
- Research
- Back to Research
- Research
- Sculpture Research Programme
- Researching Henry Moore
- Resources
- Back to Resources
- Resources
- Archive and Library
- Online papers
- Essays on Sculpture Series
- Collaborative projects
- Back to Collaborative projects
- Collaborative projects
- Yorkshire Sculpture International
- Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951
- Artists' Lives series
- The Conway Library database of images of twentieth-century British sculpture
- Henry Moore: Sculptural Process and Public Identity
- The Artists' Papers Register
- Opportunities
- Back to Opportunities
- Opportunities
- Henry Moore Institute Visiting Research Fellowships
- Call for papers
- Back to Call for papers
- Call for papers
- Sculpture & Poetry
- New Voices: Sculpture & Literature
- Valuing Sculpture: Contemporary Perspectives on Art, Craft and Industry, 1660-1860
- A Not Unruffled Surface: Contemporary Sculpture and Dress
- Sense - Perception: Sculpture, Drawing and the Influence of Classicism
- ORDER‽ Art, Classicism, and Discourse, from 1755 to Today
- New Sculptors, Old Masters: The Victorian Renaissance of Italian Sculpture
- New Directions in the Study of Medieval Sculpture
- Internships
- Post-doctoral Research Fellowships
- Henry Moore Institute Dissertation Prize
- Research fellowships - archive
- Our researchers
- Grants
- Shop
- Contact us
- Press office
- Working at the Foundation
- Terms of use, cookie policy and copyright
- Image licensing
- Sign-up for emails
Your Privacy
We use cookies and other similar technologies to improve your browsing experience and the functionality of our site.
By clicking "Accept and Continue to Site", you consent to the storing on your device of all the technologies described in our Cookie Policy.
Your current cookie settings can be changed at any time by changing your Cookie Preferences.
Your privacy options
Please review and manage your data and privacy settings below.
Functional
Necessary - These cookies are essential so that you can move around the website and use its features. Without these cookies services you have asked for cannot be provided.
Analytics & performance
Google analytics - These cookies help us to understand how visitors use our Site. We use the information to compile reports and to help us improve the Site. The cookies collect information in an anonymous form on numbers of visitors to the Site, where visitors to the Site have arrived from and which pages of the Site they visit. We would emphasise again that none of the cookies we use contain any personal information about you and cannot be used to identify an individual user. You can find a full list of cookies utilised by Google analytics here.
Hotjar - These cookies are used to help track how visitors use and interact with our Site. We use this information to review traffic to pages see how they are used, which helps us create and deliver the most relevant and desired content to our users. Hotjar cookies do not contain any personal information and cannot be used to identify individual users. You can find a full list of cookies utilised by Hotjar here.
Please set all privacy options to continue
You can change the above settings for this browser at any time by clicking the Terms of use, cookie policy and copyright link in the footer of the site.