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- Edward Allington: Things Unsaid
- Yorkshire Sculpture International 2019
- Yorkshire Sculpture International: Tamar Harpaz
- Yorkshire Sculpture International: Rashid Johnson
- Yorkshire Sculpture International: Maria Loboda
- Yorkshire Sculpture International: Cauleen Smith
- Yorkshire Sculpture International: Sean Lynch
- Phyllida Barlow: Sculpture and Drawings from the Leeds Collection
- Renee So: Bellarmines and Bootlegs
- Lucia Nogueira
- Senga Nengudi
- A Frieze for Leeds: Imagining a Sculptural Façade for Leeds Art Gallery in 1968
- The Sculpture Collections
- Neil Gall: The Studio: Cover Versions
- Sculpture by Another Name: Tony Carter's 'By Bread Only' (1978-9)
- Becoming Henry Moore
- David Dye: Devices
- Mary Gillick: Her Art in your Pocket
- Jiro Takamatsu: The Temperature of Sculpture
- Ghisha Koenig: Machines Restrict their Movement
- Aleksandra Domanović: Votives
- Roy Ascott: Form has Behaviour
- City Sculpture Projects 1972
- Eleanor Antin: 'CARVING: A Traditional Sculpture'
- The Body Extended: Sculpture and Prosthetics
- William Hamo Thornycroft: 'Charity and Justice' (1888)
- A Lesson in Sculpture with John Latham
- Olga Jevrić: Proposals for Monuments
- Katrina Palmer: The Necropolitan Line
- Christine Kozlov: Information
- Object Lessons
- Paul Neagu: Palpable Sculpture
- Eileen Agar: Natural Ready-mades
- Carol Bove / Carlo Scarpa
- Garth Evans: Sculpture Photographs
- A Study of Modern Japanese Sculpture
- Dorothy Annan and Trevor Tennant
- The Event Sculpture
- Lygia Clark: Organic Planes
- Gego. Line as Object
- D'Arcy Thompson's On Growth and Form
- Photographing Sculpture: How the Image Moves the Object
- Ian Kiaer: Tooth House
- Vladimir and Georgii Stenberg: Construction for a Spatial Structure VI ('KPS6', 1919/73)
- Stephen Cripps: Pyrotechnic Sculptor
- Dennis Oppenheim: Thought Collision Factories
- Jean Tinguely: 'Spiral' (1965)
- The Age of Innocence: Replicating the Ideal Portrait in the New Sculpture Movement
- Indifferent Matter: From Object to Sculpture
- Alberto Giacometti: 'Tête de femme (Flora Mayo)' (c. 1927)
- Keir Smith: From Wall to Floor
- Robert Filliou: The Institute of Endless Possibilities
- Vladimir Markov: Displays and Fictions
- 1913: The Shape of Time
- Sturtevant: 'Duchamp Bicycle Wheel' (1969-1973)
- Helen Chadwick: 'Wreaths to Pleasure'
- Sarah Lucas: Ordinary Things
- Vlassis Caniaris: 'Composition' (1974)
- Michael Dean: Government
- Phyllida Barlow: Bad Copies
- John McCracken: 'IV' (1985) and 'Neon' (1989)
- Nice Style: The World's First Pose Band
- Shelagh Cluett: Drawing in Space
- United Enemies
- Tacita Dean: 'Mario Merz'
- Mario Merz: What Is to Be Done?
- Darrell Viner: Early Work
- Jean-Marc Bustamante: Dead Calm
- Savage Messiah: The Creation of Henri Gaudier-Brzeska
- Dear Henry Moore: Connections and Correspondence
- Henry Moore: Prints and Portfolios
- Angkor Wat: From Temple to Text
- A Rough Equivalent: Sculpture and Pottery in the Post-War Period
- Undone: Making and Unmaking in Contemporary Sculpture
- Roman To English: The Migration of Forms in Early Northumberland
- Out of My Mouth: The 'Photosculptures' of Alina Szapocznikow
- Hermann Obrist: Art Nouveau Sculptor
- Ice Age Sculpture
- Alan Johnston: Drawing a Shadow: No Object
- Objects of Contemplation: Natural sculptures from the Qing dynasty
- The Developing Process: The sculptor's education in drawings and photography
- Sculpture in Painting
- Subject / Sitter / Maker: Portraits from an eighteenth-century artistic circle
- Art in Public Places
- The New Monumentality
- Concrete and Poetry: Drawings for an art museum by Lina Bo Bardi
- Box, Body, Burial: The sculptural imagination of Keith Arnatt
- Asta Gröting Sculpture: 1987-2008
- Dalou in England: Portraits of Womanhood (1871-1879)
- Sculpture in the Home
- Taking Shape: Finding sculpture in the decorative arts
- Unfinished Business: Mark Wilsher
- The Object Quality of the Problem: on the Space of Palestine/Israel
- Prospects and Interiors: Sculptors' Drawings of Inner Space
- Heart of Darkness: Ivory carving and Belgian colonialism
- Against Nature: The hybrid forms of modern sculpture
- By Leafy Ways: Early works by Ivor Abrahams
- Indoors and Out: The Sculpture and Design of Bernard Schottlander
- Thomas Schütte: Fake/Function
- kissingcousins: A fellowship project by Jane Simpson and Sarah Staton
- Towards a New Laocoon
- Drawing on Sculpture: Graphic Interventions on the Photographic Surface
- Modelling Charlotte Perriand: A Project by Sadie Murdoch
- Figuring Space: Sculpture/Furniture from Mies to Moore
- Experimental Photography from the Bauhaus Sculpture Workshop
- Leeds (Partial View)
- Imi Knoebel: Primary Structures 1966/2006
- Charlotte von Poehl: The Notepiece
- The New Man: Alfred Gilbert's Heroic Nudes 1882-1895
- Paper, Stone, Flesh and Blood: Transforming Views of Sculpture in French Revolutionary Prints
- Antinous: the face of the Antique
- Giorgio Sadotti: From Navels to Nipples Henry Moore
- Freud's Sculpture
- Shaping Modern Sculpture: Stephen Gilbert and Jocelyn Chewett in post-war Paris
- Espaço Aberto / Espaço Fechado: Sites for sculpture in modern Brazil
- Thomas Woolner: Seeing Sculpture Through Photography
- New Acquisitions on Paper: Phyllidia Barlow, Sarah Staton and Cecile Johnson Soliz
- Bronze: The Power of Life and Death
- Jaki Irvine: Plans for Forgotten Works
- Shallow Space - Relief Sculpture from the Collection
- Ettore Spalletti
- Medieval and Modern: Direct Carving in the Work of Gill and Barlach
- The Third Campaign: A Project by Neal White
- Play/Ground
- Depth of Field: the place of relief in the time of Donatello
- Mother Figure: Modernist Maternities from the Leeds Sculpture Collections
- Carey Young: Disclaimer
- With Hidden Noise: Sculpture, Video and Ventriloquism
- My Personal Museum: 'Ego Geometria Sum' from the Helen Chadwick Archive
- Other Criteria: Sculpture in 20th Century Britain
- Refashioning the Figure: The Sketchbooks of Archipenko
- Liadin Cooke: Ballroom (ornament)
- Scultura Lingua Morta: Sculpture From Fascist Italy
- A Kind of Magic: Talismans, Charms and Amulets from The British Museum
- Job Koelewijn: Try and See It Your Way
- Simon Periton: Flag
- Model Forms: Sculpture/Architecture in 50s and 60s Britain
- Wonder: Painted Sculpture from Medieval England
- Changing Face: masks from The British Museum
- Catching Some Air: Library Drawings by Bik Van der Pol
- The Object Sculpture
- Christina Mackie: The Interzone
- Shine: sculpture and surface in the 1920s and 30s
- Second Skin: Historical Life Casting and Contemporary Culture
- Unidentified Museum Objects: curiosities from The British Museum
- The Sculpted Word: inscriptions from the Britsh Museum
- Taking Positions: Figurative Sculpture and the Third Reich
- Siobhan Liddell: Curious About Existence
- Wiebke Siem: Collection
- Homes for the Soul: Micro-architecture in medieval and contemporary art
- Return to Life: a new look at the portrait bust
- Dom Hans van der Laan
- Katarzyna Kobro
- artranspennine98
- Robert Morris: Recent Felt Pieces and Drawings
- The Colour of Sculpture
- David Nash: Line of Cut
- Gravity's Angel
- Gabo's Stones: Naum Gabo
- Reproduction in Sculpture - Dilution or Increase?
- Serge Spitzer: Index - 1972-92
- Cell : Cella : Celda
- Sol LeWitt: Structures 1962-93 and Drawings 1958-92
- Romanesque: Stone Sculpture from Medieval England
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- Henry Moore online catalogue raisonné: 1914-1929
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- Mrs Tinsley: Administrative Professionals Day 2019
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- Venice 1949: Peggy Guggenheim's Sculpture Garden
- The British Pavilion, XXVI Biennale, Venice, 1952
- Keir Smith: Ceres
- Glen Onwin: Flammable Solid/Flammable Liquid, 1994
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- David Nash in Poland: Documents from the Archive of Sculptors' Papers
- Ideal Standard Forms: The Influence of Classicism on Modern and Contemporary Sculptors' Drawings
- Yorkshire Sculpture International: Sean Lynch
- First: A Magazine by Sculpture Students, 1960-1961
- Neil Gall: The Studio: Cover Versions
- Richard Cockle Lucas: The 'Book Monument' and the Art of Self-Memory
- Sculpture in the Time of Cholera: William Calder Marshall in Rome 1836-8
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- A Not Unruffled Surface: Contemporary Sculpture and Dress
- Sense - Perception: Sculpture, Drawing and the Influence of Classicism
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