Description
“The material is becoming immaterial - it's almost not a material any more. The scent is something that goes beyond that. But it's not only the scent... I think it is a search for the universal, for the timeless. This is why my works use natural materials and why my work is close to nature. But nature is only one possibility...”
In this publication, Clare Farrow gives an insight into the processes behind Laib's beeswax installation at the Henry Moore Studio, Dean Clough (29 June - 23 October 1994), which then toured to Camden Arts Centre in London.
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