Couple Embracing 1920, a pen and ink drawing made while Moore was still living in Yorkshire, reflects the influence of Aubrey Beardsley on the young artist.
The last of the tapestries woven at West Dean, Row of Sleepers, 1986 (TAP 30) is based on a page from a sketchbook where Moore recorded his impressons of Underground shelterers in the Second World War.
The Three Fates, a drawing in various media produced in 1948 which depicts The Three Fates, Lachesis represeting Birth; Clotho representing Life and Atropos.
West Wind 1928 can still be seen, high up on the facade of 55 Broadway, London, alongside carvings by Eric Gill and Jacob Epstein. Here you can take a closer look at the work, photographed before it was attached to the building.
This catalogue introduces Moore's second one-man show, his first with the Leicester Galleries, and includes a prefatory note by the artist Jacob Epstein.