This selection of fifty graphics, spanning half a century of work, was published to coincide with an exhibition shown around the UK in 2003/2004. Moore found that printmaking facilitated a departure from his sculptural interests, allowing more freedom to experiment with colour, light and subtleties of tone. His exploration in printmaking techniques can be traced from woodblock prints of 1931 through vividly coloured collographs and major graphic albums including the Elephant Skull etchings and Stonehenge lithographs.

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