Katrina Palmer (No. 78)

The Time-Travelling Circus: The Dossier concerning Pablo Fanque and the Electrolier

Essays on Sculpture

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Benedict Read's life in sculpture: His father never told him about things like this (No. 77)

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City Sculpture Projects 1972 (No. 76)

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The Virtues of Things (No. 75)

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Christine Kozlov: Information (No. 74)

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Active Archives (No. 73)

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A Study of Modern Japanese Sculpture (No. 72)

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Sculptors' Papers from the Henry Moore Institute Archive (No. 71)

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D'Arcy Thompson's On Growth and Form (No. 70)

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Artists' Lives (No. 69)

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My Life by Anton Lesseman (No. 68)

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Books and Sculpture (No. 67)

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1913: The Shape of Time (No. 66)

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Helen Chadwick's 'Ego Geometrica Sum': a biography (No. 64)

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Mario Merz: What Is to Be Done? (No. 63)

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A Rough Equivalent (No. 62)

Sculpture and Pottery in the Post-War Period

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Box, Body, Burial: The Sculptural Imagination of Keith Arnatt (No. 61)

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The Sculpture in the Home Exhibitions (No. 60)

Reconstructing the Home and Family in Post-War Britain

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Prospects and Interiors (No. 59)

Sculptors' Drawings of Inner Space

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By Leafy Ways (No. 58)

Early Works by Ivor Abrahams

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A Kick in the Teeth (No.57)

The Equestrian Monument to 'Field Marshall Earl Haig, Commander-in-Chief of the British Armies in France 1915-1918' by Alfred Hardiman

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Indoors and Out (No.56)

The Sculpture and Design of Bernard Schottlander

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Drawing on Sculpture (No. 55)

Graphic Interventions on the Photographic Surface

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Russian Berlin in the 1920's (No. 54)

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The 'Open Secret' of Alfred Gilbert's Male Nudes (No. 53)

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Ian Breakwell's UNWORD, 1969-70: early performance art in Britain (No. 52)

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£2.00