Hit Henry Moore exhibition at Tate Britain ends August 8
Exhibition
24th February 2010 - 8th August 2010
Tate Britain
Millbank
London SW1P 4RG

Detail of Stringed Figure 1939 LH 206
lead and violet string
length 25.4cm
unsigned
Gift of Irina Moore 1977
Recumbent Figure 1938 LH 191 from Tate Collection is pictured in the background.
photo: Suzanne Eustace

Reclining Figure 1929
LH 59
brown Horton Stone
Leeds Museums and Galleries
photo: Theodora Georgiou
Reclining Figure 1959-64
LH 452
elmwood
length 261.5cm
unsigned
Gift of Irina Moore 1977
photo: Henry Moore Foundation archive
Mask 1927
LH 46
green stone
height 21cm
unsigned
Acquired 1997
photo: Theodora Georgiou
Woman with Upraised Arms 1924-25
LH 23
Hopton Wood stone
height 43.2cm
unsigned
Gift of the artist 1977
photo: Michael Phipps
Two Upright Forms 1936
HMF 1253
chalk, pen and ink, wash on cream heavyweight wove
565 x 382 mm
signature: pen and ink l.l. Moore/36
The Henry Moore Foundation: purchased 1998
photo: Henry Moore Foundation archive

Stones in a Landscape 1936
HMF 1259
charcoal, chalk, wash, pen and ink on cream medium-weight wove
559 x 381 mm
signature: pencil l.r. Moore/36
The Henry Moore Foundation: acquired 2007
photo: Henry Moore Foundation archive
Henry Moore at Tate Britain has received exceptional levels of press coverage, not just in the UK but around the world, and seen very high visitor numbers. The Henry Moore Foundation was the lead supporter of the exhibition.
Among other things, the exhibition is also featured in an important new BBC television programme, A Culture Show Special: Henry Moore, presented by Alan Yentob and aired on 18 March. This was partly filmed at The Henry Moore Foundation at Perry Green.
Seen alongside the exhibition are a series of archive clips on Henry Moore, shown as a result of a new partnership between the BBC Archive, The Henry Moore Foundation and Tate. This initiative brings archive film footage on Moore to a wide audience for the first time.
Radical, experimental and avant-garde, Henry Moore (1898–1986) was one of Britain’s greatest artists. This stunning exhibition takes a fresh look at his work and legacy, presenting over 150 stone sculptures, wood carvings, bronzes and drawings.
Moore rebelled against his teachers’ traditional views of sculpture, instead taking inspiration from non-Western works he saw in museums. He pioneered carving directly from materials, evolving his signature abstract forms derived from the human body. This exhibition presents examples of the defining subjects of his work, such as the reclining figure, mother and child, abstract compositions and drawings of wartime London. The works are situated in the turbulent ebb and flow of twentieth-century history, sometimes uncovering a dark and erotically charged dimension that makes us look at them in a new light. The trauma of war, the advent of psychoanalysis, new ideas of sexuality, primitive art and surrealism all had an influence on Moore’s work.
Highlights of the show include a group of key reclining figures carved in Elm, which illustrate the development of this key image over his career. Moore was an Official War Artist and his drawings of huddled Londoners sheltering from the onslaught of the Blitz captured the popular imagination, winning him a place in the hearts of the public. Don’t miss this fantastic opportunity to truly understand this artist’s much-loved work.
To learn more about Moore's work, you can also visit his sculpture studios, home and gardens at Perry Green, Hertfordshire, and the Henry Moore Institute in Leeds. Both are part of The Henry Moore Foundation, set up by the artist in 1977.
The Henry Moore Foundation loaned many of the works in the Tate exhibition, and, as mentioned above, supported it as part of its grants programme. In autumn 2010, Anne Wagner will take up a new post as The Henry Moore Foundation Research Curator, based at Tate Britain. This post has also been supported by The Foundation.