The New British Sculpture: Reviewing the persistence of an idea, c.1850 – present
Conference
17th February 2011 - 18th February 2011
Henry Moore Institute

Tony Cragg, 'Postcard Flag (Union Jack)' 1981
Courtesy of Leeds Museums and Galleries (Art Gallery) and the artist
We are pleased to announce a 1½ day conference with the following speakers/papers:
Thursday 17 February, 2-4pm
Jonathan Black, University of Kingston
'A New Form of Sculpture for England': British Monumental Public Sculpture between the Wars and the Struggle for Realism
Sarah Turner, University of York
Ezra Pound's new 'order' of artists: 'The New Sculpture' (1914) and the sculptural avant-garde in early twentieth-century Britain
Friday 18 February, 10.30-4pm
Alex Potts, University of Michigan
Conflicting Transatlantic Perspectives on Modern Sculpture
Jennifer Powell, Tate Britain
A 'Coherent'/'National'/'School' of Sculpture? Constructing Britishness through Exhibition Practices in Post-War London
Jay Curley, Wake Forest University
Caro's Secret
Joy Sleeman, Slade School of Art
The New Art, Hayward Gallery London, 1972: New as Compromise, or when what happens around the exhibition is as interesting as what happens in the exhibition
Nick Baker, Open University
Managing the Reputations of the New British Sculptors in the 1990s
Danielle Child, University of Leeds
Could You Make Me One Like That? Examining the YBAs Aesthetic and the Mike Smith Studio
James Brown, Plymouth College of Art
Sculpture and the Rebranding of Tradition in Saatchi's' Newspeak: British Art Now'
A full programme for this event will be confirmed closer to the date. The cost for the conference is £10/£5 concessions. To book a place or for more information please contact Kirstie Gregory, kirstie@henry-moore.org.