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  • Nature and Mythology, two galleries and their furnishings contrasted: Temple Newsam and Hagley
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  • Sugar Sculpture, Porcelain and Table Layout 1530-1830
  • Chromophobia: Ancient and Modern, and a Few Notable Exceptions
  • Earth
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  • On the Connoisseurship of Rocks
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  • George Frampton: New Sculpture and Art Nouveau
  • Anatomy of a Monument
  • From 'Arte Povera più azioni povere' to 'When Attitudes Become Form': Mario Merz’s work in group shows and his first international connections
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