Encapsulating Public Art: the PADT archive at the Henry Moore Institute
Homepage
- View by conference
- View occasional papers
- Art & Spatial Politics
- Reproduction in Sculpture: Dilution or Increase?
- Gabo's Stones
- William Tucker: The Language of a Sculptor
- Public Art Commissions, Exemplified by Auke de Vries
- Brazil: A Site and Subject for Sculpture?
- Minimalism and Neoconcretism
- John Addington Symonds and the Misrecognition of Antinous
- Looking for Antinous in Marguerite Yourcenar's 'Memoirs of Hadrian'
- Beuys: ‘To be a teacher is my greatest work of art!’
- Russian Berlin in the 1920s
- The ‘Laocoon’: An Ancient Combination of Sculptural Forms and Myth
- Thomas Schütte: Something is missing (1980)
- Programmatic Portrait: On Imi Knoebel's 'Raum 19'
- Nature and Mythology, two galleries and their furnishings contrasted: Temple Newsam and Hagley
- Sugar Sculpture, Porcelain and Table Layout 1530-1830
- Chromophobia: Ancient and Modern, and a Few Notable Exceptions
- Earth
- Encapsulating Public Art: The PADT archive at the Henry Moore Institute
- Sexuality, space and the architectural project: a provisional history
- Neither use nor ornament: tracing the development of sculpture as a discrete discipline in British art education from the mid-nineteenth century
- On the Connoisseurship of Rocks
- Walter Crane and Hermann Obrist: craft, sculpture and transnationality at the fin de siècle
- George Frampton: New Sculpture and Art Nouveau
- Anatomy of a Monument
- From 'Arte Povera più azioni povere' to 'When Attitudes Become Form': Mario Merz’s work in group shows and his first international connections
- Fertile Objects: Penetralia, Sarah Lucas and English Modernism
- View by author
Encapsulating Public Art: The PADT archive at the Henry Moore Institute
Malcolm Miles
22 January 2010
© Henry Moore Institute
2006