Henry Moore Institute - Online Papers & Proceedings

 

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  • View occasional papers
    • Art & Spatial Politics
    • Reproduction in Sculpture: Dilution or Increase?
    • Gabo's Stones
    • William Tucker: The Language of a Sculptor
    • Public Art Commissions, Exemplified by Auke de Vries
    • Brazil: A Site and Subject for Sculpture?
    • Minimalism and Neoconcretism
    • John Addington Symonds and the Misrecognition of Antinous
    • Looking for Antinous in Marguerite Yourcenar's 'Memoirs of Hadrian'
    • Beuys: ‘To be a teacher is my greatest work of art!’
    • Russian Berlin in the 1920s
    • The ‘Laocoon’: An Ancient Combination of Sculptural Forms and Myth
    • Thomas Schütte: Something is missing (1980)
    • Programmatic Portrait: On Imi Knoebel's 'Raum 19'
    • Nature and Mythology, two galleries and their furnishings contrasted: Temple Newsam and Hagley
    • Sugar Sculpture, Porcelain and Table Layout 1530-1830
    • Chromophobia: Ancient and Modern, and a Few Notable Exceptions
    • Earth
    • Encapsulating Public Art: The PADT archive at the Henry Moore Institute
    • Sexuality, space and the architectural project: a provisional history
    • Neither use nor ornament: tracing the development of sculpture as a discrete discipline in British art education from the mid-nineteenth century
    • On the Connoisseurship of Rocks
    • Walter Crane and Hermann Obrist: craft, sculpture and transnationality at the fin de siècle
    • George Frampton: New Sculpture and Art Nouveau
    • Anatomy of a Monument
    • From 'Arte Povera più azioni povere' to 'When Attitudes Become Form': Mario Merz’s work in group shows and his first international connections
    • Fertile Objects: Penetralia, Sarah Lucas and English Modernism
  • View by author





  • Henry Moore Institute website

Conference

Art & Spatial Politics
Deanna Petherbridge

1 January 1994

Conference

Reproduction in Sculpture: Dilution or Increase?
Ed Allington and Ben Dhaliwal

1 January 1994

Conference

Gabo's Stones
Martin Hammer and Christina Lodder

16 February 1995

Conference

William Tucker: The Language of a Sculptor
Alison Sleeman

16 February 1995

Conference

Public Art Commissions, Exemplified by Auke de Vries
Franz W. Kaiser

28 September 2005

Conference

Brazil: A Site and Subject for Sculpture?
Tonico L. Auad

22 March 2006

Conference

Minimalism and Neoconcretism
Anna Dezeuze

26 March 2006

Conference

John Addington Symonds and the Misrecognition of Antinous
Stephen Bann

12 July 2006

Conference

Looking for Antinous in Marguerite Yourcenar's 'Memoirs of Hadrian'
Nigel Saint

19 July 2006

Conference

Beuys: ‘To be a teacher is my greatest work of art!’
Petra Richter

4 October 2006

Conference 54

Russian Berlin in the 1920s
Michael White and Paul Paret

Conference

The ‘Laocoon’: An Ancient Combination of Sculptural Forms and Myth
Richard Brilliant

20 June 2007

Conference

Thomas Schütte: Something is missing (1980)
Stefanie Manthey

31 October 2007

Conference

Programmatic Portrait: On Imi Knoebel's 'Raum 19'
Wouter Davidts

18 October 2006

Conference

Nature and Mythology, two galleries and their furnishings contrasted: Temple Newsam and Hagley
James Lomax

29 October 2008

Conference

Sugar Sculpture, Porcelain and Table Layout 1530-1830
Howard Coutts and Ivan Day

8 October 2008

Conference

Chromophobia: Ancient and Modern, and a Few Notable Exceptions
David Batchelor

6 April 1997

Conference

Earth
Anna Lovatt

4 March 2009

Conference

Encapsulating Public Art: The PADT archive at the Henry Moore Institute
Malcolm Miles

22 January 2010

Conference

Sexuality, space and the architectural project: a provisional history
Dr Richard J Williams

31 March 2010

Conference

Neither use nor ornament: tracing the development of sculpture as a discrete discipline in British art education from the mid-nineteenth century
Rebecca Wade

27 November 2009

Conference

On the Connoisseurship of Rocks
Craig Clunas

12 December 2009

Conference

Walter Crane and Hermann Obrist: craft, sculpture and transnationality at the fin de siècle
Dr Sarah Victoria Turner

16 June 2010

Conference

George Frampton: New Sculpture and Art Nouveau
Katherine Faulkner

30 March 2010

Conference

Anatomy of a Monument
Sarah Hanson

19 November 2010

Conference

From 'Arte Povera più azioni povere' to 'When Attitudes Become Form': Mario Merz’s work in group shows and his first international connections
Lara Conte

18 October 2011

Conference

Fertile Objects: Penetralia, Sarah Lucas and English Modernism
Dr Alison Rowley

19 September 2012





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2006