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The Cult of the Statuette In Late Victorian Britain (No. 31)

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Ideas for Sculpture
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Freud's Sculpture

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Gravity's Angel

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Gerard Byrne, Dominique Gonzalez-Foerster & Dorit Margreiter
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Peter Scheemakers: 'The Famous Statuary' 1691-1781 (No.14)

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Hands On! Creative projects

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Drawing from Sculpture
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Life and Work
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Henry Moore Critical Essays

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Le Corbusier - Savina (No. 32)

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Magdalena Jetelova

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Reclining Figure: Dawn
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Vittorio Messina

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Sculpture of Austin Wright

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Private View - Contemporary Art in the Bowes Museum

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Wolfgang Laib
A Scented Journey
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Quatremere de Quincy's Role in the Revival of Polychromy in Sculpture (No.10)

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Pre-Raphaelite Sculpture
Nature and Imagination in British Sculpture 1848-1914
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Attending to the Barely Made (No.29)

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Sleep in Sculpture - Babies from the Bowes (No.13)

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The Sculpture of Frank Dobson

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The Sculpture of Stephen Cox

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Eight Reclining Figures II
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Leaving tracks - artranspennine98

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The Sculpture of Michael Sandle

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Sculpture in Painting

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Depth of Field: the place of relief in the time of Donatello

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Complete Drawings Volume 1
1916-29
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At One Remove

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Scuplture in 20th-century Britain Both Volumes

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Leeds' Sculpture Collections Works on Paper Concise Catalogue

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Sculpture in Literature (No.28)

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London's War: The Shelter Drawings of Henry Moore

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The Encounter and The Struggle - Lipchitz Maquettes 1928-1942 (No.26)

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The Object Sculpture - Paperback

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Sculpture and Psychoanalysis

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Sculpture and the Garden

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Dom Hans van der Laan - The Line Under the Spell of its Measure

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Figuring Space
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Hounds in Leash - The Dog in 18th and 19th Century Sculpture

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Gilbert Bayes (1872-1953) - From Arts and Crafts to the Light Monumental (No.23)

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The Very Impress of the Object - Photographing Sculpture from Fox Talbot to the Present Day (No.5)

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White Forms
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Reclining Figure Against Sea and Rocks
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Modern Sculpture Reader

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The Space of the Page - Sequence, Continuity and Material (No.22)

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Belvedere

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Phill Hopkins
Aeroplane Dreams
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The Cauldron

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Imi Knoebel: Primary Structures 1966/2006

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Guide to the Henry Moore Institute Archive

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Etienne Martin (No.27)

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Plans for Forgotten Works
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The Sculpture of Eric Kennington

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Espaco Aberto/Espaco Fechado
Sites for Sculpture in Modern Brazil
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Against Nature
the hybrid forms of modern sculpture
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The Object Sculpture - Hardback

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Plans for the Real World Parts 1-12
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The Alliance of Sculpture and Architecture

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Bronze - The Power of Life and Death

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Henry Moore's Sheep Sketchbook (Hardback)

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Henry Moore silk scarf: Family Groups
The original design on this scarf - entitled 'Family Groups' - was created c.1946 by Henry Moore, and was reproduced on this scarf for the launch of Tate's Henry Moore exhibition, © Ascher Studio/The Henry Moore Foundation.
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Henry Moore Tapestries

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Michael Kidner - Making Maps, Looking for Landmarks (No.16)

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Leeds' Sculpture Collections Illustrated Concise Catalogue

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Art in Public Places
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The Sculpture of William Turnbull

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An Introduction to Henry Moore

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The Sculpture of Eric Kennington

The Sculpture of Eric Kennington

Cover

The Henry Moore Foundation in association with Lund Humphries
290 x 240 mm
112 pages
Includes 97 b&w illustrations
Hardback

ISBN: 0 85331 823 9
2002

This is the first book on the sculpture of Eric Kennington.

British artist Eric Kennington (1888 - 1960) was a highly regarded stone carver, whose achievements were ranked in the 1920s and 1930s alongside those of his contemporaries Jacob Epstein, Eric Gill and Frank Dobson. His work has since fallen into neglect: Jonathan Black attributes this unjust neglect to Kennington's position between sculptural traditionalists and avant-garde artists in England.

Kennington was an Official War Artist in the First World War, and carved a number of war memorials in the 1920s. His later work is characterised by public architectural sculpture carved directly into the exterior surface of a building, and his public commissions include five relief panels for the Shakespeare Memorial Theatre, Stratford upon Avon (1930-2); models/plans for the Pan American Columbus Memorial Lighthouse, Santo Domingo (1930-4); and the stone relief for the Harold Cohen Memorial Library, University of Liverpool (1937-8). In 1936-9, Kennington carved his masterpiece: a recumbent effigy of T.E. Lawrence ('of Arabia'), with whom he was friends since 1920. During the last fifteen years of his life, he concentrated on producing works for the interiors of churches.

The Sculpture of Eric Kennington includes the first complete catalogue of the artist's sculpture, and an essay which sets the work in the wider context of twentieth-century British art.

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