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The Cult of the Statuette In Late Victorian Britain (No. 31)

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Ideas for Sculpture
Reproduction lithograph
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Freud's Sculpture

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The Sculpture of David Nash

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Ring Binder

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Gravity's Angel

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The New Monumentality
Gerard Byrne, Dominique Gonzalez-Foerster & Dorit Margreiter
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Peter Scheemakers: 'The Famous Statuary' 1691-1781 (No.14)

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Duel - Tracy Mackenna & Karla Sachse (No.12)

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Hands On! Creative projects

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Rodin
The Zola of Sculpture
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Claude Heath
Drawing from Sculpture
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Kenneth Armitage
Life and Work
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Henry Moore Critical Essays

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Le Corbusier - Savina (No. 32)

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Magdalena Jetelova

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David Nash
The Line of Cut/Elements of Drawing
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Reclining Figure: Dawn
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Vittorio Messina

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Sculpture of Austin Wright

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Private View - Contemporary Art in the Bowes Museum

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Wolfgang Laib
A Scented Journey
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Quatremere de Quincy's Role in the Revival of Polychromy in Sculpture (No.10)

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Pre-Raphaelite Sculpture
Nature and Imagination in British Sculpture 1848-1914
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Attending to the Barely Made (No.29)

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Sleep in Sculpture - Babies from the Bowes (No.13)

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The Sculpture of Frank Dobson

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The Sculpture of Stephen Cox

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The Sculpture of Stephen Cox

The Sculpture of Stephen Cox

Cover

The Henry Moore Foundation in association with Lund Humphries
290 x 240 mm
144 pages
Includes 32 colour and 468 b&w illustrations
Hardback

ISBN: 0 85331 675 9
1995

This is the first major illustrated monograph to be published on the work of British sculptor Stephen Cox (born 1946).

Stephen Cox first established a reputation in the late 1970s with vast 'Suface' sculptures in plaster resulting from an analytical approach and dialogue with American Minimalism. More recently, he has returned to the ancient challenge of cutting into stone, marble and granite, taking inspiration from the great carving achievements of the Renaissance, and the carving tradition of Egypt and India, where he has maintained studios since the mid-1980s. Cox is the first sculptor since antiquity to have access to the Imperial Porphyry Quarries in the Eastern Mountains of Egypt, and perhaps the first since the Renaissance to have carved its rare and precious stone, which once supplied the monuments of Rome and Constantinople. Since 1985 he has also worked with temple carvers in Southern India.

This book examines the different phases of Cox's evolution as a sculptor: from the early works confronting the issues of Minimalism, through the bas-reliefs of the middle period, to the free standing monumental pieces of recent years. Stephen Bann's text discusses Cox's profound engagement with art of the past and of other cultures, arguing that the seemingly antagonistic strands of Cox's work in fact have accumulated to form a rich texture of related references.

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